Special issue of the journal Nordic Irish Studies: Discourses of Inclusion and Exclusion: Artistic Renderings of Marginal Identities in Ireland (volume 15, number 1, 2016).

Publication of the special issue in the journal Nordic Irish Studies: Discourses of Inclusion and Exclusion: Artistic Renderings of Marginal Identities in Ireland (volume 15, number 1, 2016). Please find below and also in attachment the table of contents.
To order a copy, contact Carmen Zamorano Llena directly: cza@du.se

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Nordic Irish Studies Special issue: Discourses of Inclusion and Exclusion: Artistic Renderings of Marginal Identities in Ireland

Guest editor Pilar Villar-Argáiz
Volume 15 Number 1 2016. 193 pages
ISNN 1602-124X

TABLE OF CONTENTS

Pilar Villar-Argáiz – Introduction. Discourses of Inclusion and
Exclusion: Artistic Renderings of Marginal Identities in Ireland

I. GENDER AND MARGINALITY
Auxiliadora Pérez Vides – Magdalene Otherness and Ethical Turns in Stephen Frears’s Philomena

Marisol Morales-Ladrón – Mary Morrissy’s The Rising of Bella Casey, or How Women Have Been Written Out of History

María Gaviña Costero – When Heroes Become Heroines: Brian Friel Re-Makes History

Beatriz Rubio Martínez – Trauma and (Re)Construction of the Past in Deirdre Madden’s Time Present, Time Past

Juan F. Elices – Othering Women in Contemporary Irish Dystopia: The Case of Louise O’Neill’s Only Ever Yours

II. DISSIDENTS, APOLITICAL SUBJECTS AND SOCIAL MISFITS
Britta Olinder – Inclusion and Marginalisation: John Hewitt as an Ulster Protestant in Opposition

Stephanie Schwerter – Titanic Town and Good Vibrations: Cinematographic Representations of  Belfast from the Margins

Hedwig Schwall – Marginal(ising) Mothers and Transitional Objects in William Trevor’s Cheating at Canasta

M. Isabel Seguro Gómez – Disabling Mainstreamised Representations of Irishness in Martin McDonagh’s Leenane Trilogy

III. MARGINALITIES IN EXILE
John Braidwood – Dreary Eden: Post-War Ireland and the Irish Experience of English Exile

Pilar Villar-Argáiz – ‘Humanising the lived experiences ofmigrants’: An Interview with Alan Grossman and Áine O’Brien

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