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February 2018


February 16 @ 12:00 am - February 28 @ 12:00 am

Dear colleagues,   The Organizing Committee of the XVII International AEDEI Conference has extended the deadline for abstract submission to 28 February 2018.   We welcome twenty-minute papers addressing current debates in Irish Studies and/or focusing on, but not restricted to, the following topics:   The Natural and the Political: Nature. The environment. Globalism versus regionalism. Global and Glocal identities. Urban studies. Discourse on toxicity. Do our perceptions of nature determine our institutions?   Reclaiming the Body: Natural, technological and political bodies. Biological…

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Call for Submissions: Irish Society for Theatre Research New Scholars Prize 2018

February 28

Call for Submissions: ISTR runs an annual essay competition for New Scholars. There is no set theme for this competition; rather, candidates are encouraged to submit work drawing on their current research in the area of theatre, drama or performance. New research, or essays developed from papers presented at the preceding conference are welcome. The New Scholars Prize is awarded to the best essay, judged on originality, coherence and rigour. Essays must be between 4 000 – 6 000 words…

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April 2018

Jornadas internacionales. Samuel Beckett: Literatura y traducción

April 12 - April 13

UNIVERSIDAD DE EXTREMADURA – CÁCERES FACULTAD DE FILOSOFÍA Y LETRAS 12-13 ABRIL 2018 Source: https://en.wikipedia.org/wiki/File:Samuel_Beckett,_Pic,_1_(cropped).jpg Samuel Beckett (1906-1989) es un escritor de enorme trascendencia para la literatura tanto irlandesa como universal que ha alcanzado la talla de icono cultural en tiempos recientes. La fama mundial le llegó con Esperando a Godot (1953), una obra escrita en francés que de inmediato él mismo tradujo al inglés, siendo este un patrón que se repetiría a lo largo de su vida. Asimismo, tradujo…

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May 2018

Conference: AEDEI 2018 (Santiago de Compostela)

May 31 - June 1

XVII INTERNATIONAL AEDEI CONFERENCE AEDEI-2018: “Eco-Fictions Irish Studies” Facultade de Filoloxía, Universidade de Santiago de Compostela (USC) 31 May - 1 June 2018   Conference Website Permanent link in AEDEI website: http://aedei.es/?page_id=2031

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June 2018


June 14 @ 12:00 am - June 16 @ 11:59 pm

George Moore: Transnational and Cosmopolitan Networks on the Page and Canvas At Moore Institute, NUI Galway with sessions at Coole Park, Galway. ‘I wrote The Untilled Field, a book written in the beginning out of no desire of self-expression, but in the hope of furnishing the young Irish of the future with models. Yeats said that I had learned the art of presentation in Paris, and in 1900 we believed that the Irish language could be revived. I wrote “The…

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CFP: Review of Irish Studies Europe (RISE)

June 30

The latest Call for Papers for Review of Irish Studies Europe (RISE) is  now out (the special issue focuses ‘Representing Revolutions in Irish  Culture’). For detailed information, see: http://risejournal.eu/index.php/rise/announcement/view/52 The deadline for submission is 30 June 2018. 

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July 2018

Panel on Edgeworth at ECSSS, Glasgow, 17 – 21 July 2018

July 17 @ 12:00 am - July 21 @ 11:59 pm
University of Glasgow Glasgow, United Kingdom + Google Map
Source: http://www.gla.ac.uk/media/media_537684_en.jpg

Eighteenth-Century Scottish Studies Society Conference 2018 Panel: “Maria Edgeworth and Scottish Enlightenment Networks” Maria Edgeworth’s involvement with Scottish Enlightenment thinking has long been recognized, but much yet remains to be discovered about the extent, complexity and implications of her engagement with the ideas of Adam Smith, David Hume, William Hunter, Hugh Blair, Dugald Stewart and other philosophers, scientists and writers from that era. ECSSS (the Eighteenth-Century Scottish Studies Society) will meet at the University of Glasgow from 17 to 21…

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October 2018

“Crossing Borders: Contemporary Anglophone Theatre in Europe” Conference. Paris, October 11-12, 2018

October 11 - October 12

Organised by Paris 13, Lyon 2, University Grenoble-Alpes, RADAC The privileged position enjoyed by contemporary Anglophone theatre goes unquestioned. Since the end of the Second World War its creativity, inventiveness and originality have brought it to prominence throughout Europe. Writers such as Samuel Beckett, Edward Bond, Harold Pinter or Sarah Kane, whose voices are so distinctive that critics find it hard to classify them, have left their mark; plays that critics and scholars have categorised as representative of social or…

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