Conference and symposia

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May 2018

Conference: AEDEI 2018 (Santiago de Compostela)

May 31 - June 1

XVII INTERNATIONAL AEDEI CONFERENCE AEDEI-2018: “Eco-Fictions Irish Studies” Facultade de Filoloxía, Universidade de Santiago de Compostela (USC) 31 May - 1 June 2018   Conference Website Permanent link in AEDEI website:

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June 2018


June 14 @ 12:00 am - June 16 @ 11:59 pm

George Moore: Transnational and Cosmopolitan Networks on the Page and Canvas At Moore Institute, NUI Galway with sessions at Coole Park, Galway. ‘I wrote The Untilled Field, a book written in the beginning out of no desire of self-expression, but in the hope of furnishing the young Irish of the future with models. Yeats said that I had learned the art of presentation in Paris, and in 1900 we believed that the Irish language could be revived. I wrote “The…

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July 2018

Panel on Edgeworth at ECSSS, Glasgow, 17 – 21 July 2018

July 17 @ 12:00 am - July 21 @ 11:59 pm
University of Glasgow Glasgow, United Kingdom + Google Map

Eighteenth-Century Scottish Studies Society Conference 2018 Panel: “Maria Edgeworth and Scottish Enlightenment Networks” Maria Edgeworth’s involvement with Scottish Enlightenment thinking has long been recognized, but much yet remains to be discovered about the extent, complexity and implications of her engagement with the ideas of Adam Smith, David Hume, William Hunter, Hugh Blair, Dugald Stewart and other philosophers, scientists and writers from that era. ECSSS (the Eighteenth-Century Scottish Studies Society) will meet at the University of Glasgow from 17 to 21…

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October 2018

“Crossing Borders: Contemporary Anglophone Theatre in Europe” Conference. Paris, October 11-12, 2018

October 11 - October 12

Organised by Paris 13, Lyon 2, University Grenoble-Alpes, RADAC The privileged position enjoyed by contemporary Anglophone theatre goes unquestioned. Since the end of the Second World War its creativity, inventiveness and originality have brought it to prominence throughout Europe. Writers such as Samuel Beckett, Edward Bond, Harold Pinter or Sarah Kane, whose voices are so distinctive that critics find it hard to classify them, have left their mark; plays that critics and scholars have categorised as representative of social or…

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